A band with small beginnings, three high school friends making music together achieved a pleasant level of exposure with their debut-an album produced by The National’s Aaron Dessner, support from Australia’s Triple J, appearances at large festivals and a supporting date with Mumford & Sons. Much of the music Little May has released in the lead up to their forthcoming album deals with feeling stuck- the previous single “Apples” addressed the difficulties of creative fulfillment in the face of relentless financial pressures-and that may be the nature of finding success as an independent band. “I didn’t feel very well / I still don’t feel very well,” sings Drummond of the endless cycle, the bottomless pit. Singer Liz Drummond’s tired vocal delivery uses the song’s circuity to examine the perils of an unhealthy relationship with alcohol. “As Loving Should” is an especially circular song with its sparse drum beat, ever-present acoustic guitar strumming, and simple song structure, ending up right back where it started. Maybe this place really is as good as it seems. There’s a hesitant optimism like maybe California will be the answer. It’s not a visceral pain, but more of a sweet nostalgia with an element of subtle hopefulness when Mendelsohn sings “follow the leader until you’re born again.” He is looking forward to the future but tentatively, dipping his toes in instead of diving in headfirst. The added element of layered female vocals contributes to the track's sweetness as Aaron Mendelsohn sings, “dreams so real it keeps me from sleeping.” The production fills out more about two minutes in as the synths come in to keep the song from falling flat in its tenderness. "California" is softer and sweeter than the first two singles-starting off with fingerpicked guitar and fuzzy vocals. The song explores the reality of giving up the past in order to move towards what the future will hold. “California” serves as the final single from Drinker’s debut album Fragments.
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This goofball performer is full of wisdom in sometimes surprising ways, and we can’t wait to see what’s to come on Here Comes the Cowboy. DeMarco isn't afraid to acknowledge that there’s a brighter side to it all. Throughout the chorus, you can hear him pointing this out “And that don't mean your dream is over / And that don't make your heart beat slower/ Such a shame to complain” Even with his generally bleak tone, he so often alludes to a silver lining. Though he’s singing of his loss of yesterdays, a line that was inspired by Macbeth and an old episode of Star Trek, he urges that it does not mean it's over. The acoustic guitar and lyrical brevity is not only beautiful but also uplifting within the sad context of the song. With the layering of several harmonic elements floating beneath his lax vocals, he succeeds in pushing the lyrics to the forefront of his listener's mind as he draws out emotions of longing and loss. He's the master of writing sad songs that aren't outright melancholy. The slow build is something he’s always been known for, using a steady beat and simple chords to create a chill vibe that attracts the listener.
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In many ways, it is also very representative of what makes Mac DeMarco, Mac DeMarco. "All of our Yesterdays" is reminiscent of his last album, This Old Dog. Following the release of "Nobody," the album’s first single, it's clear that DeMarco will be touching on some of his classic somber themes of loss, aging, and moving on. The Canadian indie rock legend Mac DeMarco recently released "All of Our Yesterdays"-the second single from his upcoming album, Here Comes the Cowboy.
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